POLSKI TEATR TAŃCA - Balet Poznański
Instytucja Kultury
Samorządu Województwa Wielkopolskiego
ul. Kozia 4, 61-835 Poznań 
tel. 061 8524242, 061 8524008 
fax. 061 8532370Polish version
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  HISTORY
  DIRECTOR EWA WYCICHOWSKA
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REPERTOIRE
OF THE POLISH DANCE THEATRE
  ... AND I'M DANCING
  BAROCCO
  B@TTLE BETWEEN CARNIVAL AND LENT
  CASES OF MR VON K.
  ENTER
  IT IS ALREADY DUSK
  NEMO SALTAT SOBRIUS
  SILENCE OF THE TREMBLING HANDS
  TANGO WITH LADY M.
  THE DOVE'S NECKLACE
  TRANSSS... UNREAL PROGRESSIVE EVENT
  WO-MAN IN TOMATOES
  ZEFIRUM

PHOTO GALLERY
B@ttle between Carnival and Lent


Scenic Arrangement and Choreography: Ewa Wycichowska
Music: Zbigniew Łowżył (using fragments from H. Purcella and H.M. Górecki)
Keyboards: Krzysztof "Wiki" Nowikow
Stage design: Bohdan Cieślak
Costumes and Properities: Ewa Łowżył
Premiere: 25.01.2002
Duration: 65 minutes

Cast:
Artists of the Polish Dance Theatre, Marcin Liber, Zbigniew Łowżył, Krzysztof "Wiki" Nowikow and Music Academy Orchestra in Poznań, conducted by Marcin Sompoliński

It is not without reason that the title of the performance, which is readily called a choreographic-musical installation by its creators, brings to mind Breughel's famous work. In the Poznań creation we do not however find confabulations as dense in meanings as Breughel's figures. Rather than aesthetic convention, what is common is the thought about the human condition, about nature and its contradictions, about the longing for an ideal and submission to the seduction of disharmony. The sign of human fate becomes the freedom of choice, a road saturated to the same degree with freedom and imprisonment, truth and delusion, beauty and ugliness, happiness and suffering. The road with seven turns, seven principal sins, seven simple truths, which are us and which we are. Notwithstanding the fact that the Battle between Carnival and Lent, between Lent and Carnival is very modern in its choreographic, visual and musical conception, it is by way of its thematic universalism that it joins the age-old attempt to answer the question: 'where are we going?".

This performance does not pretend to the role of 21st Century morality, it answers the important question in a manner known from the ludic theatre of the Middle Ages, not shying away from joke, paradox or pastiche. Its authors remember that during the Middle Ages 'ludus' was understood to mean play as well as art. With the belief that from distance is born a greater chance for reflection than from fear, we invite you on a journey that is homely play, not free of risk, unexpected situations, and solutions entirely dependent on the spectators' decisions.

The Polish Dance Theatre was laureate of the Hetman's Bulaw Prize for best performance at the Zamość Theatre Summer 2002.


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