(...) Choreography by Jacek Przybyłowicz takes place at a white scene of a psychiatric hospital with a rubber wall, against which characters crash. The whole dance through spinning and quick, strong movement makes an impression of a mad ritual. There is a woman under the wall who is clearly different than all the others. She moves differently, slowly at first, lazily, and then she starts to step in an awkward and crooked manner, she twists all her limbs. This character meets a partner. Love bursts, shown here as madness – the girl tries to climb the wall, she fails so she begins a mad dance over her partner. But this madness has something unusually clean in itself.
All the choreography seems to be pure because of the overwhelming whiteness and harmony of music and movement. At the very end the girl who is lonely by then looks up at the light. This is a picture for me – the third thought of the evening. A simple answer to the question about the source of real perception. (...)

Anna Koczorowska, “Gazeta Malarzy i Poetów”, no. 2 (48), May, 2003.