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(...) “The dove’s necklace” is a pure performance in every aspect. Not only movement is electrifying here, but also scene setting, costumes, music collage and most importantly – the dramaturgy built on these elements. Przybyłowicz showed what the mystery of a ritual, replicability of gestures and movements really is about. (...)
Marta Strzelecka, “Strefa Tańca”, no. 3 (3), June, 2003.
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